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skip to content parametric design + generative architecture a place for sharing ideas about forum “ripples”, an interactive installation implementing zebra, a plugin for grasshopper 3d august 3, 2018 michail no comments “ripples” is an interactive installation designed with the purpose of engaging passers-by through animating still sculptures. “zebra”, a plug-in for rhino developed by the cypriot company “ seamlexity ”, is implemented to facilitate the design and digital fabrication processes. the installation will be fabricated at the newly established makers will make open design studios and will be hosted at the foyer of lanitis carob mills in limassol, cyprus by volunteering design professionals, during the 13 th international documentary festival. (1st– 8th august 2018) participants: michail georgiou, odysseas georgiou, eva korae, christina christoforou, natalie moiseenkova, rasha zeneddin, panagiotis hadjioannou, valentinos charalambides, stephani milikouri, costantina yiannapi, periklis georgiou, emilio moraris and maria efthimiou photographer: pavlos vryonides the project was funded by the 15 th nea kinisi summer dance festival the project is supported by makers will make , seamlexity , hub design platform , carob mill restaurants , architecture department of university of nicosia and cyprus university of technology leave a comment tagged as: [arc] university nicosia , digital fabrication , grasshopper , hub design+engineering platform , installation , interactive , moire , rhinoceros 3d , seamlexity fabfest london 2017 – 1st prize unic [arc] july 18, 2017 september 11, 2017 michail 1 comment get high without drugs fabfest london ( http://fabfest.london/ ) the international fabrication festival is a week-long celebration of design and making, featuring over 50 pavilions built by architecture teams from industry and academia across the uk and around the world. teams had three months to develop, test and fabricate their designs, before assembling and installing their pavilion in ambika p3, westminster’s central london exhibition venue. the university of nicosia was represented by a team of 6 fourth-year students, one volunteer and their mentors from [arc] department of architecture . the team received the first prize in the fabrication category with the winning proposal titled ‘get high without drugs’. the concept of the pavillion revolved around the question of how can design help escape everydayness while raising awareness on a pressing social issue? the vaulted pavilion was geometrically based on a zome ; a structure emerging from the combination of a dome and zonohedron. the initial zome was adapted and evolved by combining its triangular faces into hexagonal surfaces towards producing the desired outcome. the 72 hexagonal surfaces were further developed into load-bearing modules that could be digitally fabricated out of flat sheets and then folded in place. the modules were fabricated using corrugated cardboard and were coated with a shiny reflective film on their interior side. once produced, all parts were assembled in a puzzle-like routine to form the pavilion. during the process, the team had to comply and account for a number of design and fabrication parameters such as components weight, components size, assembly methodology and assembly time. on exhibition, the parametric installation challenged the visitors’ perception, calling them to explore the qualities of an interior space reflecting the activities of the surroundings. the component-based kaleidoscopic structure triggered the sense of disorientation and produced visual illusions through self-reflections and twisted snapshots of the exterior. visitors engaged the installation and shared colourful experiences through distorted shapes and forms. the ever-changing exterior and interior ensured unique and unrepeatable scenery for the sightseer. unic [arc] design team: nicos agapiou, anna athanasiou, valentinos charalambides, christina christoforou, konstantinos karagiannis, dionisis voniatis and katerina tzanoudaki (volunteer) mentors: michail georgiou and odysseas georgiou pictures: get high without drugs team 1 comment tagged as: architecture , cyprus , design competition , digital fabrication , exhibition , fabfest , grasshopper , parametric design , pavillion , rhinoceros 3d patterned landscapes august 18, 2016 september 1, 2016 michail 1 comment cyprus has a long history of decorative patterns of noteworthy geometric complexity. starting from discovering such a 2d pattern, participants of arch-262, advanced computer aided design, [arc] university of nicosia , developed and proposed their own 3-dimesnional pattern and populated it to create a tessellated tile, using the knowledge acquired during the course. the tile was modeled in rhinoceros 3d / panelling tools , set in voxelizer , exported and fabricated using the desktop z-morph 3d printers of [arc] university of nicosia . course participants: marcou andreas, kouzari kleitos, evangelidou elena, rousta anna, pissarides alexandros, theofanous demetris, ioannou nicolas, sergiou irene, arpalikli nursan, moiseenkova natalia, colomeiciuc arcadie, zampellakis stergos, ioannidou tatiana, soliati agathi, fotiou andreas, nicolaou antonios, lazarides chariton, george klados, manos doulianakis, maria doxastaki fabrication lab assistants: dionisis voniatis, panayiotis trichinas technical data: tile bounding box dimensions: 25mmx125mmx125mm extruder: zmorph 1.75mm extruder, ver. 2.0 and 2.0.s settings: no support, layer height: 0.2mm, fan pre-set: fan abs 35%, infill ratio: 10% , infill type: honeycomb, bottom layer base: power raft abs filaments: esun 3d filament abs white approximate tile print time/filament length: 8h / 30m 1 comment tagged as: [arc] university nicosia , 3d printing , architecture , cyprus , digital fabrication , panelling tools , rhinoceros 3d , zmorph flex-shell april 8, 2016 june 29, 2016 michail no comments title: arch-392 catalyst i –parametric design and digital fabrication workshop dates: 15 th march – 18 th march 2016, [arc] university of nicosia gridshells are efficient lightweight structures that are shaped to purely correspond to the forces of nature. historic outcomes of such form-finding design processes are remarkable doubly curved shells, efficient and affordable to construct. pioneer designers of grid shells, like frei otto and shigeru ban, used physical models of hanging nets as a means to conceptualize their forms. today the availability of high-end digital design tools allows for precise simulation of the structural materiality and an exploration of a large range of different forms. the proposed workshop was based on the expertise gained from precedents international competitions. prototyping with both physical and virtual models guided the process, through real‐time visualization of forces in order to shape form-found designs and evaluate them against their structural efficiency. participants experimented with the creation of digital models using parametric design tools (grasshopper 3d and kangaroo) implementing real‐time physics engines in order to comprehend the notion of computer simulation of complex geometric problems. physical experiments in the view of precedent grid shells were compared with computer generated ones and reproduced using digital fabrication methods. the successful design was taken further to construction, forming a continuous structure offering the participants the chance of experiencing a challenging assembly process and the logistics of realizing complex architectural forms. such process involved a dialogue between digital fabrication techniques and physical testing. light‐weight materials like pvc electrical conduit and plywood were used and materialized using the aforementioned digital fabrication methods. by the end of the 4-day workshop, a full scale lightweight prototype with a footprint 11m x 5m was successfully erected in less than 6 hours by the 9 participants and

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